Approaches To The African Novel Essays In Analysis

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These contain narratives of various kinds (including stories about both animals and humans), historical texts, proverbs, riddles, vernacular texts describing local customs, sometimes additional vernacular compositions by the collector, and very occasionally songs or poems.

There is of course some variation in size and quality, but by and large these editions compare favourably with many more recent publications.

The main motive of many of these linguistic studies was to aid the evangelization of Africa, and grammars, vocabularies, and collections of texts appeared by and for missionaries.

There was close collaboration between linguists and missionaries, and many of the great collections of texts in the nineteenth century were a result of professional or amateur linguists working in full sympathy with the missionary movement and published under its auspices.

Considered in such a point of view, these specimens may go a long way towards refuting the old-fashioned doctrine of an essential inequality of the Negroes with the rest of mankind, which now and then still shows itself not only in America but also in Europe (Chatelain 1894: 20.

Chatelain’s introduction gives an excellent summary of the publications and conclusions on African oral literature to that date).

Although at first some people refused to believe that tales of such striking similarity to European folk-stories and fairy-tales could really be indigenous to Africa, this similarity of content gradually became accepted.

By the end of the century, Chatelain could assert with confidence in his authoritative survey that many myths, characters, and incidents known elsewhere also occur in African narratives, and that African folklore is thus a ‘branch of one universal tree’.

This introductory chapter traces briefly the history of the study of African oral literature over the last century. First, there have been so many assumptions and speculations about both Africa and oral literature that it is necessary to expose these to clear the way for a valid appreciation of our present knowledge of the subject.

Second, the various sources we have for the study of African oral literature need to be assessed and put in historical perspective.


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