Tags: Teen Pregnacy EssaysA Good Essay On Romeo And JulietShort Term Commercial PaperStatistic HomeworkSteel Component Method ThesisBlaxploitation EssaysSleep Deprivation Research PaperWriting A Psychology EssayMit Opencourseware Calculus 3
All in all, this is certainly a worthwhile text on the shelf of music historians engaged in modern American music." — Kenneth H.
Country Music Essays
Much like many other types of longstanding music genres, it’s gone through it’s fair share of ups and downs.She is the author of The Selling Sound: The Rise of the Country Music Industry, also published by Duke University Press, and editor (with Kristine M.Mc Cusker) of A Boy Named Sue: Gender and Country Music. Country Music and Racial Formation / Diane Pecknold 1Part One. Black Hillbillies: African American Musicians on Old-Time Records, 1924–1932 / Patrick Huber 192.Fiddling with Race Relations in Rural Kentucky: The Life, Times, and Contested Identity of Fiddlin' Bill Livers / Jeffrey A. Old-Time Country Music in North Carolina and Virginia: The 1970s and 1980s / Kip Lornell 1717.Dancing the Habanera Beats (in Country Music): The Creole-Country Two-Step in St. Playing Chicken with the Train: Cowboy Troy's Hick-Hop and the Transracial Country West / Adam Gussow 23410.1: The Life and Times of Gene Autry"Diane Pecknold's collection is profoundly important in implication and a long-awaited intervention in the country-music literature." — Aaron A.Fox, author of Real Country: Music and Language in Working-Class Culture Diane Pecknold is Associate Professor of Women's and Gender Studies at the University of Louisville.It uncovers the historical discourses that over time obscured country music’s multiracial origins and history." — Leigh Edwards, Journal of American Culture“This is a useful collection with an engaging interdisciplinary balance of focus and imagination….[T]he book is on the whole accessible, fresh, and contemporary in its tone and synthesis.Lee Coor, Popular Music and Society“The book’s various contributors provide often engrossing little-known specifics.David Sanjek details the role King Records’ African-American producer Henry Glover played in encouraging the label‘s white hillbilly and black R&B artists to raid each other’s song books.” — Froots“Hidden in the Mix is an enjoyable, enlightening and captivating read that finally gives recognition to the African American presence within one of the most successful music genres in the world.” — Glen Whitcroft, U. Studies Online“Hidden in the Mix is full of essays that effectively deconstruct the presumed whiteness that Pecknold argues is taken for granted in the discourses surrounding country music.