Hip Hop Research Paper

Hip Hop Research Paper-19
Prosecutors in the US have labelled rap lyrics a criminal threat, and numerous studies have been undertaken on the harmful influence of hip hop on kids.There’s no denying that the lyrical content of hip hop is confronting, and in many instances, it includes the glorification of violence, substance use, and gender discrimination.We may be several decades on, but there are plenty of young people that still need to do the same. And it should not be appropriated without acknowledging, respecting and addressing these, because it is precisely these origins that make is so important.

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The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

This paper argues that when viewed through spatial lenses, hip hop can also be effectively understood as perhaps the last folk music.

Important folk-like characteristics of hip hop, especially the so-called old school variety, are its rootedness in oral traditions, its shared ownership, its apparent misconceptions about its own market value, its patterns of diffusion, and its use of homemade instruments.

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But while many people struggle to look past the profanity, materialism, and high-risk messages often celebrated within mainstream rap music, hip hop culture at its core, is built on values of social justice, peace, respect, self-worth, community, and having fun.

And because of these values, it’s increasingly being used as a therapeutic tool when working with young people. It is a culture with complicated social and historical roots.

Several commentators have called hip hop or rap music the first postmodern music.

Such arguments have been primarily based on hip hops abundant use of sampling and its freedom from restriction from modernistic notions of musical form and structure.


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