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It shows the differences between Desdemona, a rich Italian, and Othello, a black, foreign Moor of a different religion and background. Othello, as a character, is a prime example of this. Then he vaguely alleges that the Moor may have had a tryst with Emilia, which Emilia later denies, and which seems impossible, given that Emilia and Othello have the most openly adversarial relationship in the play. Thus, when he begins describing Desdemona to Montano, he does so in glowing terms, despite the fact that he has no romantic interest in Desdemona and appears to have little real knowledge of her. [Read More] It is also perfect because it permits Iago to draw Emilia into his schemes, whereby he can punish her for being unfaithful without dealing with whether or not his beliefs are true. In what ways does "reputation" become an element of the conflict with each of the four major characters? [Read More] Works Cited Aristotle, Poetics [online]. Thoroughly humiliated by his being passed over for a promotion by Cassio, Iago sets forth to plan the destruction of Othello and Cassio, and along the way has no qualms about killing Desdemonda, Roderigo, and even his own wife, Emilia. Iago, ironically, even uses the fact that Desdemona loved and married the Moor against her chastity, echoing Brabatino's rhyme: "She did deceive her father, marrying you" (3.3). The difference in race between Othello and Desdemona does not seem to drive them apart, but because it is mentioned, it was clearly important. To some degree this may be altered and shaped by the play-actors. "Preferment goes by letter and affection, / Not by the old gradation" (1.1.37-38). From "Shakespeare Criticism in the Twentieth Century." From the Cambridge Companion to Shakespeare. In fact, even when Othello enters their bedchamber and talks about killing her, entreating her to pray so that she does not die with a sin on her soul, Desdemona makes no effort to run from Othello, but questions him about why he is upset. Cassio's flaw is that he is too concerned about other people's opinions. Though he knows that he is vulnerable when he drinks alcohol, Cassio allows Iago to goad him into drinking, because he is concerned about Iago's opinion of him.…… The only change for him is that he starts out jealous…… Iago's rage and vengefulness drive the play's plot forward, leading to the death and downfall of many of its main characters. I know our country disposition well; / in Venice they do let heaven see the pranks/They dare not show their husbands; their best conscience/Is not to leave't undone, but keep't unknown" (3.3). Discuss how age, social position, and race impact the relationship between Othello and Desdemona. A tragedy concerns the fall of a great man due to some flaw in his character.
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A list of potential essay questions to form revision and speed planning practice Jealousy is at the core of all the tragic events that occur in Othello.’ In the light of this statement, explore the dramatic function of jealousy in Shakespeare’s play.
However, closer discernment of Shakespeare's characterization of Othello reveals that the Moor is not a truly Aristotelian tragic hero. Even before Othello can enjoy his wedding night with Desdemona, he must leave her for the military field, and the two are separated. [Read More] Works Cited The Riverside Shakespeare, 2nd Edition. Iago and Brabantio's attitudes toward people of color were very much in line with popular Elizabethan views of black people during Shakespeare's time. By the end of the play, Othello has become so suspicious and twisted by racism that he is unrecognizable, even to himself: "Is this the / noble Moor whom our full senate/Call all in all sufficient? (4.1) parallel situation for a Black athlete is not hard to imagine. Through the eyes of the varied characters, the audience can see that love is easily thrown about to mean a number of things; true love, a phrase that seems to be used only by one character -- or one character type -- hardly figures into the picture. "Modes of Irony in Othello." Shakespeare's Tragedies. The word appetite here refers to sexual urges and need for love. (1997) 'Shakespeare's Tragedies of Love', Cambridge Companion to Shakespearean Tragedy, UK: Cambridge University Press.
Despite the fact that he is heroic, good at arms and a verifiable military leader, Othello has far too many flaws that contribute to his downfall. Othello cannot bear to look weak, and as for even a few nights with his bride before he begins to fight again. This is, for example, evident from Duke of Venice's attempt to defend Othello. Consider a young man, from the streets, who is thrust into a world of unimaginable fortune and fame, because of his physical gifts. "Shakespeare's Venetian paradigm: Stereotyping and sadism in 'The Merchant of Venice' and 'Othello." Papers on Language and Literature. In fact, the presence of a clever and vengeful Iago and that of the easily-duped Othello has covered the play with uses of love that are not what the readers usually attach to Desdemona's "true love." The Oxford Dictionary defines the word "love" in four different ways. Othello thinks that by betraying his trust, Desdemona has shown that her need for love was not met by Othello alone and then she needs to satisfy her urges by having an affair. Othello Of the alleged chief tragedies penned by Shakespeare, Othello has led to a certain degree of embarrassment. Greek theory of tragedy: Aristotle's Poetics academic.edu/english/melani/cs6/New York College.
Although it would appear to be more logical that Iago target Cassio, he instead targets his superior, Othello, not only because he hates him, but also because he knows that he can easily manipulate Othello and lead him to self-destruct. It is only after this event occurs that Iago's wife reveals the truth, that it was her husband's traitorous action,…… "And what remains is Bestial," the True Beast in Othello. e., as Aristotle puts it, is "either a higher or a lower type [emphasis added]" (Poetics, Part II, paragraph 1).
History Essay Introduction Paragraph - Othello Essay Questions
"Stylistic "impurity" and the meaning of Othello." Studies in English Literature, 1500-1900. Othello as Tragic Hero Othello, the Moor of Venice is a Shakespearean tragedy that focuses on the great war hero Othello and the lengths to which Iago goes to in order to strip Othello of his power. Being an extremely jealous and possessive man, Othello does not hesitate to kill Desdemona in a fit of temper.
In your answer, you must consider relevant contextual factors.
‘Despite his suffering, Othello learns nothing.’ In the light of this statement, explore Shakespeare’s presentation of Othello in the play.
Othello, The Moor of Venice There are a number of very specific literary conventions that a dramatic work must have to adhere to Aristotle's multi-faceted definition of a tragedy. They were too different to ever really understand each other, and that is one reason Othello found it so…… He may be seen, in differing productions, as a villainous and barbarous fellow and as a savage, or he may be the innocent and naturally gentle victim of the serpentine Iago. "Emblems of folly in the first Othello: renaissance blackface, moor's coat, and 'muckender'. Iago may be one of the most ambiguous characters in all of Shakespeare (hite 283). For Othello, reputation becomes an element of conflict because he is proud and has a certain reputation to uphold, which is threatened by the idea of his wife being unfaithful. Never once does Iago show the slightest hint of humanity, sadness, or remorse. However, Iago adds a terrifying, seemingly strange reading of Othello's wooing with words of Othello's military deeds: "And when she seem'd to shake and fear your looks, / She loved them most" (3.3).
One of the principle components of this definition is that a tragedy chronicles the downfall of a tragic hero. [Read More] Othello has used military service to prove he is not a savage to white leaders, but his reliance upon the counsel of military officers and his over-valuing of military decision-making and life makes him descend into savagery. Either interpretation would be fair, for the play proposes so many different ways of looking at him through the eyes of the other characters that one would be justified in drawing any number of conclusions about the way he should be acted. A Routledge Literary Sourcebook on William Shakespeare's Othello. Iago seems to know that he is condemned to hell -- even in the first scene, he has a premonition of his damnation: "Though I do hate him as I do hell-pains" (I.1.161). For Iago, reputation is what drives his actions; jealousy of Cassio has caused him to lash out against the Moor, because Iago believes he should be held in higher esteem than Cassio. He never catches himself or comes to terms with the core feelings that drive his murderous scheming. In other words, women really crave a strong military man who is violent towards their bodies, rather than a tender and loving man who is respectful……