Personal Essay Creative Nonfiction

Personal Essay Creative Nonfiction-63
The genre of creative nonfiction is a long river with many moods and currents.And even though it traverses waterscapes as diverse as the Mississippi, the Amazon, and the Nile, there are seven basic forms-or ports of call, if you will-which we might explore.

The genre of creative nonfiction is a long river with many moods and currents.And even though it traverses waterscapes as diverse as the Mississippi, the Amazon, and the Nile, there are seven basic forms-or ports of call, if you will-which we might explore.

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However, given the inevitable subjectivity of the author toward his or her subject, as well as the fact that these two forms have such a long literary tradition, it would be difficult to begin our journey elsewhere.

Biography is a fairly consistent, factual rendering of someone's life, usually a chronological account of "first this happened and then this next thing happened." The author is to be objective-although this isn't really possible.

Try to avoid dialogue tags “on steroids,” or dialogue tags that call attention to themselves and become distracting. In addition to these steroid dialogue tags being tedious and exhausting, many of them are not necessary.

The reader knows that Frederick is asking a question, and he knows that Logan is answering.

At the head of the river lie the categories of biography and autobiography.

From here, we flow on to immersion writing (or other forms of New Journalism) in which the author immerses him- or herself in an experience, before traveling on to memoir, to personal essay (including nature and travel writing), to the meditative essay, and finally spilling into the lyric essay.Indeed, according to reviewer Melanie Kirkpatrick, "Parini is a fan of Frost's, and seeks, in , to dispel the mythos created by Thompson."2 I doubt Parini would disagree with that characterization, even though it suggests he, too, has an agenda. Even though the reader knows Morris isn't physically present, nevertheless, wouldn't it be more honest for the author to admit up-front that objectivity is impossible to achieve?In an interview with Paul Holler in the online journal I make few distinctions between straight biographies and novels. Have Morris, on the one hand (by re-imagining events in order to make elements of Reagan's life more immediate), and Parini and Thompson on the other (by having a subjective point of view), subverted the whole notion of nonfiction?Thus, these dialogue tags become even more tedious because they are redundant....compared to biography or autobiography, an immersion essay or book gives the reader access to a deeper, more emotionally authentic exploration of the author's subject.Award winning essayist Scott Russell Sanders once compared the art of essay writing to ‘the pursuit of mental rabbits’—a rambling through thickets of thought in search of some brief glimmer of fuzzy truth.While some persist in the belief that essays are stuffy and antiquated, the truth is that the personal essay is an ever-changing creative medium that provides an ideal vehicle for satisfying the human urge to document truths as we experience them and share them with others—to capture a bit of life on paper.Dialogue that is tagged with action is shown in bold below. As shown above, the “combination tag” begins with a said tag, followed by a comma, and a gerund phrase.Note that with action tags, the action sentence and the spoken words are separate sentences, and are punctuated accordingly. It is perfectly acceptable and expected that “said tags,” “action tags,” and “combination tags” will be mixed together in the same scene to create variety."He wanted the consultantship (in poetry to the Library of Congress) to be treated as an office in which his views would be listened to by the men who were running the country, and in which he could achieve significant results for his 'cause': poetry, the arts-and (not inconsequentially) his own reputation."1 The quotation marks around cause and the parenthetical insertion of "not inconsequentially," reveal Thompson's real, subjective feelings toward Frost.More recently, the poet and novelist Jay Parini released his own Frost biography, with its own subjective elements, albeit different from Thompson's. There are demands that come from the genre itself: You can't really change points of view in a biography, and you can't make things up; but I think these are small considerations, and that in general they both involve creating narratives, and narrative is what I like: telling a story.3 , in which Morris writes himself as a character into scenes where he was not present.

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