The Woman In White Research Paper

The Woman In White Research Paper-16
still scared me—especially its second and third hours.What’s so disturbing about the story is the sheer terror of its female protagonists’ unknown future—how little understanding or control they have over their fates, in a world ruled by men.Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.

still scared me—especially its second and third hours.

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But when Laura steps out of the carriage on her wedding day, swathed in bridal lace, it’s she who becomes a doomed, ghostly figure, marching toward her fate with a rictus of terror on her face. There are many dangerous things that may take place in a bed.

I was reminded of Margaret Atwood’s “Why is it that women have chosen to sew such flags, and then to lay them on the tops of beds? It is where we are born, and that is our first peril in life; and it is where the women give birth, which is often their last.

Two lawyers, in a room with Laura’s uncle, agree to an extortionate contract that would turn over Laura’s inheritance to Percival in the case of her death—effectively offering a motive to Percival for killing his wife, should he be so inclined.

The title of the series refers, at first, to the raving woman who tries to warn Laura not to marry Percival.

,” for it was this novel that secured his reputation during his lifetime.

The novel begins with a drawing teacher’s eerie late-night encounter with a mysterious woman in white, and then follows his love for Laura Fairlie, a young woman who is falsely incarcerated in an asylum by her husband, Sir Percival Glyde, and his sinister accomplice, Count Fosco.

Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue.

The novel is dominated by two of the finest creations in all Victorian fiction - Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant `Napoleon of Crime'.

'In one moment, every drop of blood in my body was brought to a stop...

There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white''In one moment, every drop of blood in my body was brought to a stop...

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